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$100 Gift Card

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

$25 Gift Card

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

 

$50 Gift Card

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

$75 Gift Card

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

1-Day Workshop | Clay Sculpting: Dia de los Muertos

 *Price includes a $60 Studio Fee for all materials provided.

 

Class Description:

In this class, students will use red rock clay from Colorado and reconnect with the earth. Focus will be on the Mexican holiday of Dia de los Muertos (Day of the Dead), with time for exploring one’s own ancestral relationship to cultural holidays. Bring your imagination and voice to the medium of clay while learning sculptural techniques.

 

What to Expect:

We will start with looking at objects in the museum’s collections on display, researching, and sketching. Students will plan a vision for their Dia de los Muertos sculpture and build a paper armature. Remaining time will be spent on working with clay, sculpting, and finally painting.

 

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

 

Materials:

All materials will be provided for this workshop and are included in the Studio Fee of $60.

 

Educator:

Cal Duran is an artist and art educator focusing on connecting with his ancestors from an Indigenous and Latinx background. His work often explores parallels between hybrid identities found in myth, religion, and ritual. Duran has shown altars, installations and artwork in museums and galleries throughout the Denver Metro area and beyond. He continues to honor his ancestors and recently created a room at Meow Wolf in Denver, honoring the indigenous tribes of Colorado and the Americas.

https://www.artbycal.com

1-Day Workshop | Outsider Art: Collage as Self-Expression

*Price includes a $30 Studio Fee for all materials provided.

 

Class Description:

Whether using paper or fabric, collage has long been practiced by women, people of color, and those without access to a formal art education. In this class, we will examine the history of collage as an outsider art – how women and people of color used material at hand (paper and fabric scraps, for example) to create visual expressions that resonate powerfully today. Students will be asked to channel the spirit of these artists (many of whom remain unidentified) in creating their own works of art from the materials of daily life. The instructor will bring her expertise in history and collage to help students explore this vibrant and accessible art form.

 

What to Expect:

This class begins with a short presentation of the history of collage as an outsider art, and will include a visit to the Art of the Ancient Americas gallery for inspiration. Students will be asked to find three elements from pieces in the collection to inspire their collage composition. We will examine Enrique Chagoya's Borders of the Spirit in the Art of the Ancient Americas gallery as a way to consider how collage is a powerful medium for exploring identity.

 

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

 

Materials:

All materials will be provided for this workshop and are included in the Studio Fee of $30.

 

Educator:

Teresa Cribelli started her art career in the archive; inspired by the historical documents she used in her academic research in Brazil, she became interested in the ways that collage can bring the past and the present together. While living in Brazil she was also inspired by the wheat paste street art of Rio de Janeiro. Part of Rio’s vibrant street art culture, wheat paste posters (graphic art printed on paper and pasted to walls) became a type of open-air collective collage she watched for on her daily commute. Inspired by the outsider artists who make street art, she began collecting and then experimenting with vintage papers to make her own collages. Bringing her training as a historian to her practice (she taught Latin American History at the University of Alabama for 11 years) Teresa uses her small-scale analog collages to make visual statements about power, gender, and the environment told through the lens of history. Her work has been shown at Kolaj Fest in New Orleans and Paperworkers Local in Birmingham, Alabama among other venues. Her pieces are held in private collections and in the Doug and Laurie Kanyer Art Collection. Street art pieces based on her collages can be seen in Tuscaloosa and Birmingham, Alabama; Denver, Colorado; Barcelona, Spain; and São Luís, Brazil.

4 Week | Fibers & Soft Sculpture: Craftivism

*Students will purchase their own materials and should expect to spend $20-40.

 

Class Description:

Craftivism is simply craft + activism. In this class, we will use textiles to create our own soft sculptures, protest tapestries about a cause that matters to you, and positive affirmation embroideries. Students will learn sewing and embroidery techniques to create works about things you care about. The textile collection of the Denver Art Museum has several works of craftivism and we will also look at those to understand what craftivism is and how simple it is to do! Beginners are welcome. Don't be intimidated by sewing. This course will make it simple and meaningful.

 

What to Expect:

During class, we will mostly be creating. We will be making 3 different artworks: soft sculptures of the word "No" to help remind us to keep healthy boundaries in our lives, fabric tapestries about a cause or topic that matters to you personally, and hand embroidered positive affirmations. After this class, you will know 3 new ways of creating work that is personal and meaningful to you using fabric and sewing techniques. Beginners are welcome. No prior experience necessary.

 

Timeline:

Class 1: introduction to soft sculpture and creation of our own soft sculptures

Class 2: Look at the work of Aram Han Sifuentes in the textiles collection of the Denver Art Museum, and begin creating our own protest tapestries

Class 3: Finish tapestries and begin embroidery

Class 4: Finish embroidery

 

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

 

Educator:

Charis Lillene Fleshner is a conceptual mixed media artist who completed her MFA in studio art at the University of New Mexico. Fleshner currently teaches art at Aims Community College and shows work nationally. Before starting graduate studies, Charis Lillene Fleshner used her BFA in art education from University of North Texas to teach junior high and elementary art for seven years. Her studio practice currently focuses on painting, soft sculpture, Craftivism, and the intersections of Feminism and art.

charismakesart.com

6 Week | Drawing: Fundamentals

*Students will purchase their own materials and should expect to spend $30-70.

 

Class Description:

In this class we will explore drawing fundamentals in an accelerated form. We will use the fundamentals to explore within the museum as we sketch from art within the galleries. We will conclude with creating individual pieces from the skills built and research sketches. The intent of this class is to bring each artist through the entire process of researching and creating a completed piece of work.

 

What to Expect:

Artists will learn or in some cases relearn fundamental skills mixed with some tricks of the trade to help them work within the museum to sketch and generate ideas as well as take those ideas in to the studio to complete a finished project.

 

Timeline:

Week 1 – Learning the fundamentals

Week 2 - Learning the fundamentals

Week 3 – Gathering sketches and ideas in the museum’s galleries

Week 4 - Gathering sketches and ideas in the museum’s galleries

Week 5 – Drawing in the classroom

Week 6 - Drawing in the classroom

 

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

 

 

Materials:

Students will purchase their own materials and should expect to spend $30-70.

GET THE MATERIALS KIT AT MEININGER’S ART SUPPLY or purchase the items individually.

 

Educator:

Born in Denver in 1972, Michael Dowling spent much of his early life as a typical kid apart from being an obsessive drawer. It wasn’t until the age of 25, and after several years studying various subjects as well as working in many fields, that Michael started painting. With that late beginning, Dowling dove full in and began studying extensively. At 28, he decided to sell a burgeoning art sales company and moved to Florence, Italy to focus on painting. He has since returned to his native Denver where he lives and works.

Michael Dowling's work has been characterized as a combination of traditional practices in realism and his explorations of mark, pattern, and color to disrupt that reality. In many compositions, figures presented as portrait, morph into their surreal self, and lone objects tell stories through their subtle positioning. These objects and characters sit in bizarre spaces with intentionally disrupted atmospheres in order to find further meaning within the imagery.

https://m2lr.com/artists/72-michael-dowling/

Art Emergency: Sendak Edition

Watch a play, Art Emergency: Sendak Edition to get more insight into what inspired Maurice Sendak to create all that he did! Two museum staff members can't agree on what inspired Sendak the most and need your help. Meet them in Sharp auditorium in the Hamilton building to hear stories and secrets about Maurice Sendak's life and art.

Allow additional time for entry and exit into the auditorium.

Purchase tickets to Wild Things: The Art of Maurice Sendak here.

Purchase tickets to the Member Preview of Wild Things: The Art of Maurice Sendak here.

 

Composing Color: The World of Alma Thomas - ONSITE ALL LECTURES

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

Composing Color: The World of Alma Thomas - VIRTUAL ALL LECTURES

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

Composing Color: The World of Alma Thomas Session 2 - ONSITE

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #2 – Alma’s World

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Composing Color: The World of Alma Thomas Session 2 - VIRTUAL

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #2 – Alma’s World

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Donation

Give to the Denver Art Museum's Annual Fund

Your 100% tax-deductible contribution supports inspiring art connections, powerful artist collaborations, community-minded programming at the Denver Art Museum. During these unprecedented times, your donation helps the museum reimagine how we connect in person and online through a series of new opportunities for visitors of all ages. Thank you for your support of the Denver Art Museum's annual fund.

Member Mornings: Wild Things: The Art of Maurice Sendak

See Wild Things: The Art of Maurice Sendak before the museum opens to the public. This time is exclusive for members.

Member Preview of Wild Things: The Art of Maurice Sendak

Members see it first! Join us for a preview of Wild Things: The Art of Maurice Sendak.

ONSITE - Curator Conversation: Behind the Scenes of Wild Things

Join us for unique insights into the life and work of artist Maurice Sendak! Lynn Caponera and Jonathan Weinberg grew up as close friends of Sendak, and they now preserve his legacy at The Maurice Sendak Foundation as Executive Director and Curator, respectively. They will share stories about the artist and, in a conversation with Christoph Heinrich moderated by Stefania Van Dyke, will discuss the excitement and challenges of creating the exhibition Wild Things. This talk also will be livestreamed.

VIRTUAL - Curator Conversation: Behind the Scenes of Wild Things

Join us for unique insights into the life and work of artist Maurice Sendak! Lynn Caponera and Jonathan Weinberg grew up as close friends of Sendak, and they now preserve his legacy at The Maurice Sendak Foundation as Executive Director and Curator, respectively. They will share stories about the artist and, in a conversation with Christoph Heinrich moderated by Stefania Van Dyke, will discuss the excitement and challenges of creating the exhibition Wild Things. This talk also will be livestreamed.

Volunteer Acquisition Endowment

Donations to this fund are invested by the DAM foundation with the intention to grow the fund in value over time. This fund provides an annual distribution based on the Foundation's policy.  Distributed funds are used to acquire new artwork for the DAM.

The Museum regularly reconciles expenditures made from distributed funds to ensure that they are allocated as intended.

Wild Things: The Art of Maurice Sendak

Wild Things: The Art of Maurice Sendak presents more than 400 artworks created by Maurice Sendak. One of the most versatile artists of the twentieth century, Sendak is best known for picture books, especially the award-winning titles Where the Wild Things Are, In the Night Kitchen, Outside Over There, and Nutshell Library. He also designed theater sets and collaborated on films.

Wild Things is named after Sendak’s Where the Wild Things Are, the beloved children’s book he authored in 1963 that became a cultural touchstone. The exhibition's title signals to all the beauty, whimsy, and mischief that his art inspired over his 65-year career. Visitors will see unique examples of Sendak’s timeless art, such as the final artworks for Where the Wild Things Are, and get a sense of his extraordinary skill and his deep understanding of the process of creating picture books and designs for the stage, television, and film productions. The show will include a wide array of drawings, paintings, posters, and mockups for books. It will also include set designs for the Where the Wild Things Are opera and the costumes for the live-action, feature-length film.

Alongside Sendak’s work, Wild Things will showcase works by other artists that Sendak collected throughout his life, tracing the origins of his creativity to William Blake, Winsor McCay, Beatrix Potter, George Stubbs, and Walt Disney. Sendak’s collaborations with distinguished directors, composers, writers, and choreographers such as Carroll Ballard, Frank Corsaro, Carole King, Spike Jonze, Tony Kushner, among many others, are also illuminated throughout the exhibition.

This ticket includes General Admission to the museum.

 

Purchase tickets to the Member Preview of Wild Things: The Art of Maurice Sendak here.

Purchase tickets to a Wild Things Member Morning here.

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