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Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

Gift cards may be redeemed onsite for tickets, memberships, or merchandise within the Shops in the Hamilton Building and Sie Welcome Center. Not valid for online purchases.

Gift cards should arrive within 5-10 business days.

Limit 1 per transaction. To purchase multiple gift cards, call 720-913-0130 to speak with an associate.

We look forward to your visit!

*Price includes a $30 Studio Fee for all materials provided.

Class Description:

Whether using paper or fabric, collage has long been practiced by women, people of color, and those without access to a formal art education. In this class, we will examine the history of collage as an outsider art – how women and people of color used material at hand (paper and fabric scraps, for example) to create visual expressions that resonate powerfully today. Students will be asked to channel the spirit of these artists (many of whom remain unidentified) in creating their own works of art from the materials of daily life. The instructor will bring her expertise in history and collage to help students explore this vibrant and accessible art form.

What to Expect:

This class begins with a short presentation of the history of collage as an outsider art, and will include a visit to the Art of the Ancient Americas gallery for inspiration. Students will be asked to find three elements from pieces in the collection to inspire their collage composition. We will examine Enrique Chagoya's Borders of the Spirit in the Art of the Ancient Americas gallery as a way to consider how collage is a powerful medium for exploring identity.

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

Materials:

All materials will be provided for this workshop and are included in the Studio Fee of $30.

Educator:

Teresa Cribelli started her art career in the archive; inspired by the historical documents she used in her academic research in Brazil, she became interested in the ways that collage can bring the past and the present together. While living in Brazil she was also inspired by the wheat paste street art of Rio de Janeiro. Part of Rio’s vibrant street art culture, wheat paste posters (graphic art printed on paper and pasted to walls) became a type of open-air collective collage she watched for on her daily commute. Inspired by the outsider artists who make street art, she began collecting and then experimenting with vintage papers to make her own collages. Bringing her training as a historian to her practice (she taught Latin American History at the University of Alabama for 11 years) Teresa uses her small-scale analog collages to make visual statements about power, gender, and the environment told through the lens of history. Her work has been shown at Kolaj Fest in New Orleans and Paperworkers Local in Birmingham, Alabama among other venues. Her pieces are held in private collections and in the Doug and Laurie Kanyer Art Collection. Street art pieces based on her collages can be seen in Tuscaloosa and Birmingham, Alabama; Denver, Colorado; Barcelona, Spain; and São Luís, Brazil.

*Students will purchase their own materials and should expect to spend $50-100.

Class Description:

In this course, students will explore both expressive and representational techniques in watercolor, ink, and gouache. Using seasonal, botanical subjects such as branches and flowers, students will complete drawings that include texture, color, and depth. Students will learn a variety of water media techniques including stretching paper, creating washes, and building transparent vs. opaque layers. We will make connections to work in the DAM’s Asian Art Collection, including the use of value to create depth in the ink painting Bamboo by Chinese artist Zhou Zhenyue, or the use of texture and brushwork in the piece White Herons and an Old Willow by Japanese artist Kikuchi Hobun. We will also look at contemporary uses of watercolor in the Denver Art Museum collection, including watercolor drawings by Enrique Martinez Celaya and Laura Ball.

What to Expect:

This class welcomes both beginners as well as students who have some drawing or painting experience. We will visit the galleries together to discuss water media work in the DAM's collections, and then spend time learning new techniques in small studies in the classroom. Students will then use these new approaches in a larger, finished drawing from observation of botanical subjects. We will have the option to work outdoors from life in the Sensory Garden or focus indoors on our favorite houseplants or branches.

Timeline:

Class 1:

Gallery Visit to the Asian Art Collection

B&W Mark making in Ink

Stretching Paper

Class 2:

Look at images from the exhibition "Drawings from Vicki and Kent Logan Collection"

Expressive Washes in Watercolor

Layering Washes to Create Depth

Class 3:

Observational Drawing and Composition

Opacity Vs. Transparency with Gouache

Saving Whites

Class 4:

Studio Time to Finish Larger Drawing

Reflection and Conversation

Class Cancellation Policy:

If a class or workshop needs to be cancelled due to inclement weather or teacher illness, a “make-up” day will be scheduled on a FRIDAY or SATURDAY as the educator’s schedule allows.

Materials:

Students will purchase their own materials and should expect to spend $50-100.

GET THE MATERIALS KIT AT MEININGER’S ART SUPPLY or purchase the items individually.

Educator:

Mindy Bray is a painter and muralist based in Denver, CO. Her works examine the intersection of natural and built environments. The images are reduced and transformed to create complex visual fields of shape and pattern. Based on photographs of locations such as city parks, wilderness trails and residential landscapes, the works present liminal places that trace the complex relationship between people and their habitat. Mindy earned her Master of Fine Arts in Painting from the University of Iowa in 2005 and has taught drawing and foundations at the University of Denver and Metropolitan State University. Her work has been exhibited nationally at galleries including Goodwin Fine Art, Rule Gallery and Ironton, and her work has been featured in New American Paintings, The Denver Post, Modern in Denver magazine, art ltd., and Luxe Interiors and Design. Mindy’s public commissions include permanent works at the Westin Hotel at Denver International Airport and the Colorado Convention Center, and her private commissions can be found in commercial and residential spaces throughout Denver.

www.mindybray.com

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

Give to the Denver Art Museum's Annual Fund

Your 100% tax-deductible contribution supports inspiring art connections, powerful artist collaborations, community-minded programming at the Denver Art Museum. During these unprecedented times, your donation helps the museum reimagine how we connect in person and online through a series of new opportunities for visitors of all ages. Thank you for your support of the Denver Art Museum's annual fund.

Access for two to lectures, programming and exclusive enrichment events.

The Museum Friends membership add-on offers DAM members an opportunity to deepen their support and broaden their horizons with a community of like-minded art aficionados. Denver Art Museum Friends take part in educational activities, lectures, exclusive tours, and more.

Access for one to lectures, programming and exclusive enrichment events.

The Museum Friends membership add-on offers DAM members an opportunity to deepen their support and broaden their horizons with a community of like-minded art aficionados. Denver Art Museum Friends take part in educational activities, lectures, exclusive tours, and more.

Donations to this fund are invested by the DAM foundation with the intention to grow the fund in value over time. This fund provides an annual distribution based on the Foundation's policy.  Distributed funds are used to acquire new artwork for the DAM.

The Museum regularly reconciles expenditures made from distributed funds to ensure that they are allocated as intended.

The basic benefits including unlimited free general admission for one for an entire year, plus two complimentary one-time use general admission guest passes.

Please select the date you would like to visit the Denver Art Museum. Your tickets will be valid for the entire day.

The basic benefits including unlimited free general admission for one for an entire year, plus two free general admission guest passes

The basic benefits including unlimited free general admission for two for an entire year, plus two complimentary one-time use general admission guest passes.

Corporate membership packages allow you to curate the benefits your company receives at every level of support. From access and networking, to complimentary event space and VIP invitations, your company can have it all or select only what means the most to employees, clients, and stakeholders. To learn more about corporate membership options and benefits, please contact us at CorporatePartnerships@denverartmuseum.org.

Every Corporate Membership Includes:

• Corporate and Executive membership cards for free general admission
• Corporate special exhibition ticket price available to all employees
• 10% discount in the museum shop
• Recognition in the museum's Annual Report
• Access to virtual programming and art making activities
• Bimonthly member magazine On & Off the Wall and Beyond the Walls patron newsletter
• News and updates through exclusive member communications

The basic benefits including unlimited free general admission for two for an entire year, plus two free general admission guest passes

The basic benefits, including unlimited free general admission for an entire year for two named card-holders and any children in the family, plus:

• Free admission for all children residing in the household for all specially ticketed exhibitions
• 2 complimentary one-time use general admission guest passes
• Special kid-friendly offers and communications including a special gift on each child's birthday

Corporate membership packages allow you to curate the benefits your company receives at every level of support. From access and networking, to complimentary event space and VIP invitations, your company can have it all or select only what means the most to employees, clients, and stakeholders. To learn more about corporate membership options and benefits, please contact us at CorporatePartnerships@denverartmuseum.org.

Every Corporate Membership Includes:

• Corporate and Executive membership cards for free general admission
• Corporate special exhibition ticket price available to all employees
• 10% discount in the museum shop
• Recognition in the museum's Annual Report
• Access to virtual programming and art making activities
• Bimonthly member magazine On & Off the Wall and Beyond the Walls patron newsletter
• News and updates through exclusive member communications