Lectures and Talks

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #1 – Alma Thomas: The Creative Age

September 14th, 2024 - 2:00 PM

Alma Thomas’s long life and late-career breakthroughs prove that creativity gets better with time. Like other artists who were prolific well into older age, Thomas’s creativity dynamically evolved in her later decades. In this course session, we’ll celebrate Thomas’s vibrant abstractions from the 1950s-1970s and consider her journey and others’ who worked well into their seventies, eighties, and beyond.

Session #2 – Alma’s World

October 19th, 2024 - 2:00 PM

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

Session #3 – The Meaning and Making of Color

November 16th, 2024 - 2:00 PM

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #2 – Alma’s World

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #2 – Alma’s World

Alma Thomas’s life was as rich and complex as her paintings. The third session of this course focuses on the larger context in which Thomas lived and worked, paying particular attention to the artistic, social, and political movements that influenced Thomas’s development as an artist.

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #3 – The Meaning and Making of Color

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

COMPOSING COLOR: THE WORLD OF ALMA THOMAS

American artist Alma Thomas once wrote “Love comes by looking.” In this multi-session course, take a closer look at the artist, her art, and her world. Learn about Thomas’s creative philosophies and inspiration, fall in love with her eye for color and pattern, and dive into the deeper context of her long life and impactful career.

Session #3 – The Meaning and Making of Color

For Alma Thomas, the “spirit and living soul of the world” was manifest through colors. She used art’s most luscious resource brilliantly, concentrating on what she called “beauty and happiness,” rather than urgencies of “inhumanity.” This session offers deep context for how and why artists throughout history have found, manipulated, coded, and celebrated color to achieve staggeringly diverse ends. It’s the ultimate shape-shifter. Color produces happiness—and it also registers power, privilege, spirituality, symbolism, technologies, emotion, and reason. With color at the forefront, artists create endless pathways to expression and offer us inexhaustible insights.

Presented by Stella Paul, writer and educator, author of Chromaphilia: The Story of Color in Art

Dylan McLaughlin (Diné) is a sound and video artist, storyteller, and educator from the Navajo Nation. In experimental music, improvisational performances, and multi-media installations, McLaughlin critically examines the impact of extractive systems on threatened ecosystems. Weaving Diné mythology, ecological data, and environmental histories, he engages in the poetics and politics of human relations to land.

McLaughlin's work has been presented at Amon Carter Museum of Art, Fort Worth, Texas; Boulder Museum of Contemporary Art, Colorado; RedLine Contemporary Art Center, Denver; SITE Santa Fe; and Socrates Sculpture Park, Queens, New York. He is the 2024 Native Arts Artist-in-Residence at the Denver Art Museum. McLaughlin lives and works in Austin, Texas, and Brooklyn.

Trained in mathematics and engineering, Jim Campbell creates custom-built electronic sculptures and installations that have made him a pioneer of computer technology as an art form. Presenting low-resolution moving images within LED matrices, Campbell blurs the line between representation and abstraction. Images extracted from found movies, closed-circuit television of natural phenomena, and his own films of protest marches appear as hazy recollections that test the limits of human perception and digital information.

Campbell's work is in the collections of the Berkeley Art Museum and Pacific Film Archive; Denver Art Museum; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Smithsonian American Art Museum, Washington, DC; and Whitney Museum of American Art, New York.  He lives and works in San Francisco.

Sonya Clark transforms everyday fiber materials hair, flags, and found fabrics into profound statements on race, culture, and class. Working with her chosen objects, Clark weaves, stitches, folds, braids, dyes, pulls, and snips threads of ideas to create new meanings. For more than thirty years, she has explored ideas of Blackness, uncovered little-known objects from American history, and sought to bring greater visibility to figures from the African diaspora.

Clark is professor of art at Amherst College, Massachusetts, and was Distinguished Research Fellow in the School of the Arts and Commonwealth Professor at Virginia Commonwealth University in Richmond where she served as chair of the Craft/Material Studies Department from 2006 to 2017. Her work is the public collections of Blanton Museum of Art, University of Texas at Austin; Cranbrook Art Museum, Bloomfield Hills, Michigan; and Madison Museum of Contemporary Art, Wisconsin, among others.
 
This lecture is co-sponsored by the Avenir Institute of Textile Arts and Fashion and the Modern and Contemporary Art department.

Oftentimes, researchers in the Denver Art Museum’s provenance department travel back in time to understand artist histories, art movements, military conflicts, and the geopolitical or social trends that may have influenced not only the subject matter of an object, but any previous ownership before good record keeping existed.

Join Associate Provenance Researcher Renée Albiston and explore Italian Renaissance artist Guiseppe Arcimboldo’s bold and whimsical style, why his paintings were known as grotesques, the allegorical themes they were meant to symbolize, and their place within private royal collections at the time. Renée will share her research on new discoveries of ownership going back to the Napoleonic era and how two of these grotesques came into the Denver Art Museum’s permanent collection.

Researchers in the DAM's Provenance department often travel back in time to understand artist histories, art movements, military conflicts, and the geopolitical or social trends that may have influenced not only the subject matter of an object, but any previous ownership before good record keeping existed.

In this discussion, join Associate Provenance Researcher Renée Albiston and explore Italian Renaissance artist Guiseppe Arcimboldo’s bold and whimsical style, why his paintings were known as grotesques, the allegorical themes they were meant to symbolize, and their place within private royal collections at the time. Albiston will share her research on new discoveries of ownership going back to the Napoleonic era and how two of these grotesques came into the Denver Art Museum’s permanent collection.